Showing posts with label Czech Arts. Show all posts
Showing posts with label Czech Arts. Show all posts

Tuesday, January 27, 2015

Terezín and the Defiance to Live

"Work Makes You Free"
Wikipedia
Hi Everyone,

Today marks the 70th anniversary of the Soviet army's liberation of Auschwitz, with memorial services planned in Oswiecim (Auschwitz), Poland. The Czech Republic will be represented at these services by Prime Minister Bohuslav Sobotka and three of his ministers. A tribute to Holocaust victims and survivors will also be held in Terezín, in northern Bohemia, the largest Nazi concentration camp in Czech lands during World War II.

I’ve not yet visited Terezín, but have been to Lidice and the Kobyliská střelnice. Lidice is a village that the Nazis completely destroyed in order to punish those who were supposedly involved in the assassination of the high-ranking SS commander Reinhard Heydrich. Kobyliská střelnice, located in Prague 8, was originally a military shooting range, but was later used by the Nazis as a place of execution.

It’s not easy to write about such places and incidents—how does a writer choose the words to properly convey carnage, destruction and horror? I struggle with this, and one of these days will write about my visit to Terezín and other such places. Until then, I’d like to share with you a story of Terezín and the prisoners’ defiance to live in spite of the unimaginable loss and horrific cruelty they experienced. But first, we'll take a brief look at Terezín's history.

A Brief History of Terezín

Terezín is located about 60 km (about 37 miles) northwest of Prague, at the confluence of the Labe (Elbe) and Ohře (Eger) rivers. The fortress was originally built between 1780 and 1790 by order of Emperor Joseph II of the Austro-Hungarian Empire, and was designed to be a military fortress for defense of the route between Prague and Dresden. The fortress was named after Emperor Joseph’s mother, Maria Theresa of Austria. The garrison town and the fortress were used by the army for almost 200 years. Eventually, the fortress became obsolete and was re-purposed as a prison for political prisoners.

For most of its history, Terezín remained a prison. One of the fortress’s most famous inmates was Gavrilo Princip, the Serbian who assassinated Archduke Franz Ferdinand, the heir to the Austro-Hungarian Empire. This act resulted in the start of WWI.

Map of Terezin Fortress
Wikipedia

Terezín was taken over by the Gestapo on June 10, 1940 after the “Sudeten Crisis,” which was set off when Hitler was determined to become an advocate of the ethnic Germans living in the Sudetenland of Czechoslovakia. The fortress continued to be used as a prison by the Germans during that time.

Sudeten Land
Wikipedia


Then in November 1942, the Nazis turned the fortress and garrison town into a transit camp and ghetto for European Jews and other "subversives." The camp was established by the high-ranking SS commander Reinhard Heydrich, the man appointed as Deputy Reich Protector of the Protectorate of Bohemia.

Reinhard Heydrich
Wikipedia

Protectorate of Bohemia and Moravia
Wikipedia
Terezín was not a typical concentration camp, though it did have crematoriums. The Nazis planned to use the fortress as a transit camp, intended as a temporary holding place for Jews and other prisoners who were to be eventually sent to other ghettos and concentration camps, including Auschwitz.

Terezín Barrack
Wikipedia


Prisoner Statistics

About 150,000 European Jews passed through Terezín, including Czech, German, Austrian, Dutch, Danish, Slovak and Hungarian Jews. Of these, about 88,000 prisoners were sent to Auschwitz and other camps. Approximately 15,000 children lived in the ghetto. Terezín also held Allied soldiers as POWS; these soldiers were sent to the prison for repeated escape attempts from POW camps.

While the camp was not a “death camp,” about 1/4 of all Terezín’s prisoners died from starvation, stress and disease due to lack of adequate food, cramped and unhygienic living conditions.

Terezín Crematorium
Wikipedia



The camp housed not only Jews from around Europe, but also those the Nazis considered as subversive, including scholars, musicians, scientists, writers, artists and other creatives.

Terezín Used for Propaganda

Rumors of the Nazi’s “final solution to the Jewish question,” namely the concentration camps with their crematoriums, eventually leaked out to the West. After Danish Jews were imprisoned in the camp, the Nazis invited both the Danish Red Cross and International Red Cross to visit, in order to dispel the rumors.

Terezín was cleaned up before the visit, with shops and cafes stocked, homes painted and many Jews sent to Auschwitz (and other concentration camps) to reduce overcrowding. All of this was done to show the world that the Germans were actually resettling and protecting European Jewish populations, rather than sending them to their deaths.

The Red Cross visitors were taken on a planned and restricted tour through the ghetto and camp, and were only allowed to speak to a few prisoners. During their tour, the visitors also attended cultural events such as the children’s opera (Brundibar, written by Krása) and a sporting event, among others.

Unfortunately, the Red Cross visitors were duly impressed and decided the prisoners were being treated as well as could be expected under the circumstances.

Later, the Nazis decided to create a propaganda film to show the world how well Terezín’s prisoners were being treated. The film was never completed or distributed; however portions of the film were saved and can still be seen on sites such as YouTube.

Cultural Life in Terezín

In the midst of harsh living conditions and under the constant threat of disease and deportation, the prisoners developed a rich cultural life, while striving to provide some normalcy and have a reason for living in their uncertain existence. Writers and artists found ways to keep journals and paint/draw pictures of the horrible life they faced every day. In addition, professors and actors gave lectures while others gave theater and concert performances. One source even says the ghetto had a lending library of 60,000 books.

Children living in Terezín were not supposed to attend school; however, teachers and others found ways to provide the children with lessons. The children also drew pictures, many of which you can see on display at the Pinkas Synagogue in Prague’s Jewish Quarter. I’ve seen these pictures and they are as natural, imaginative and lively as any children’s pictures you’ve ever seen—a very queer find in such a solemn exhibit. It makes you wonder how the children could portray such liveliness and hope, when their everyday reality was so dark.

The camp's inmates participated in these activities only when their tasks were finished each day. You can imagine the hunger pangs, weakness, and beyond-bone-weariness the prisoners experienced. Yet they were able to find the energy and spirit to participate in plays, operas, lectures and other pursuits.

It’s amazing that a ghetto/transit camp, such as Terezín, developed culture in the midst of so much tragedy and destruction. The prisoners were able to keep their captors in the dark about this cultural phenomenon. After a time, the Germans learned of the prisoners' activities and at first determined to put an end to all such endeavors. However, the Jewish elders persuaded the camp commanders to allow the inmates to continue. After this, Terezín’s cultural life “exploded.”

Edgar Krása and Rafael Schachter

Edgar Krása and Rafael Schachter met as inmates of Terezin and decided they’d work to make life more bearable for the other prisoners. Krása had volunteered to work in the kitchens as a cook when he first arrived at the camp, working to make the food as good as possible. He also participated in singing groups together with other camp inmates. Schachter was a Czechoslovak composer deported from Prague. He gathered prisoners to sing favorite Czech songs, operas and they even performed Verdi’s Requiem Mass in front of their captors.

Rafael Schachter
Wikipedia


Schachter told his singers to study the Requiem’s message of salvation and retribution to those who have done evil. He wanted the singers to take this message into their hearts and souls while performing the piece before their Nazi jailers. In this way, the prisoners displayed their bold defiance to the Nazis when singing the requiem. What therapy for the singers—singing down retribution on their captors’ heads! Fortunately, the Nazis didn’t understand the words. If they had, the singers would have met their ends much sooner.

Krása went on to survive Auschwitz and to escape from a death march after being shot. He went on to move to Boston, Massachusetts and later opened his own restaurant.

Schachter died on a death march during evacuation from Auschwitz in 1945. His spirit lives on in the music he wrote, which is still performed today.

Honoring Those Who Died in the Camps

This is a short post about one portion of the prisoners' lives at Terezín. There are so many more stories—but I hope that you get a feel for the prisoners’ determination and defiance to live in the midst of the daily atrocities they suffered. These people continued to strive for life, when each day might be their last.

Jews Arriving at Auschwitz Summer 1944
Wikipedia


This post is in honor and remembrance of all the men, women and children who suffered cruelty and hardship in the ghettos and concentration camps. May they rest in peace and may we never forget them.

Headstone for Terezín Inmates' Buried Ashes
Wikipedia


God bless,

Sher

(c) 2015 by Sher Vacik. All rights reserved.

Thursday, December 20, 2012

Czech Christmas Artist Josef Lada


Hi Everyone,
Christmas is almost here; with Czech women (and at least one American wife married to a Czech!) are busily cooking and baking in preparation for Christmas Day. I’ve baked several batches of cookies and have other holiday chores to do, but today, I would like to introduce you to a wonderful Czech artist, Josef Lada.

Background

Josef Lada was born in 1887 in a village near Prague called Hrusice. Lada was the fourth child of a shoemaker. As a baby he lost one of his eyes when he fell out of a cradle and landed onto a knife of his father’s. The loss of his eye didn’t slow Lada down one bit. Though his family was poor, he had very happy memories of Christmas after he grew up. He would later uses these memories to create wonderful Christmas paintings.


In 1901, at the age of 17, Lada was sent to Prague to become an apprentice to a painting decorator and scenery painter. It was at this time that his first pictures were published in a magazine called Maj. In 1906, Lada attended the Academy of Applied Arts in Prague. He studied there for one year. During his studies he was introduced to a movement of anarchists and proletarians who were dissatisfied with the rule of the Austro-Hungarian Empire. During this time Lada became associated with politics and satirical caricatures.


Naïve Art
In the early 20th century, Lada developed a distinctive form of drawing that would be classified as Naïve Art. He focused on the village and country life from his earliest childhood memories. He had a happy childhood. His drawings are filled with the visages of village life, along with that of country people working on their fields. Lada also depicted many Czech holiday traditions in his paintings, such as the Easter pomlázka and Christmas carp being sold in the square.  

Lada’s works are simple, yet have bold lines with the use of primary colors. His works give you a warm, cozy feeling. You can’t help but smile when looking at his paintings.


While he was known for his political caricatures and satirical art, Lada is also fondly remembered for his children’s book illustrations, along with the children’s books he authored. In addition, Lada is known for his illustrations in The Good Soldier Švjek, by Jaroslav Hašek.

Svjek


Christmas Paintings

Czechs, including my husband, associate Christmas with Lada’s paintings, many of which have appeared on Christmas cards in this country for many, many years. His paintings even survived the Communist years, though at times Christian imagery was censored by the regime. 


All through this post you can see a few of Lada’s art works. Don’t they make you think of Christmas from a child’s eyes? And yet, if you take in all the imagery, you can see a depth of information in each picture. You can see the joy of children playing in the snow or looking with wonder at a Christmas tree through a window. There’s a father carrying home his family’s Christmas tree—you can feel the frost and cold he is experiencing. 

Then, in the painting below, you can feel the coziness of a family’s Christmas celebration. Just tell me you can’t feel the warmth of that room, smell the Christmas feast and feel the joy! There’s even a picture of a carp being sold in the village square. It reminds me of Christmas here, in Prague, with the tubs of Christmas carp in the cold outside grocery stores and in markets around the city.


I wanted to share a few of Josef Lada’s holiday paintings with you as we get ready for celebrating Christmas next week. I hope these paintings will give you as much joy and holiday spirit as they’ve given me.


I’d also like to wish you and yours a very wonderful Merry Christmas, and all the best in the coming New Year!

Before I go, here's a video showing some of Lada's paintings through the seasons.




Have a blessed Christmas,
Sher :0) 

Wednesday, September 10, 2008

The Arts in Prague


Hi Everyone,

Finally, I have a chance to make a post! We’ve been busy here the past few days, and our Internet connection has also been off and on for some reason that we can’t figure out! So, today I’ll get you caught up with what has been going on!


Saturday, my husband and I went to see the open-air performance of Rusalka—an opera written by the famous Czech composer, Antonín Dvořák, based on a Slavic fairy tale. According to sources I researched online, a rusalka is something like a wood nymph or fairy…or even possibly a mermaid-like demon that lives in a body of water. Looking up “rusalka” made for some very interesting reading! Anyway, Dvořák’s opera is based on a poem written by Jaroslav Kvapil (1868-1950). Kvapil’s poem was based on the written fairy tales of Karel Jaromír Erben and Božena Nĕmcova. Some of the plot is very similar to the Little Mermaid, with a heroine (who is not mortal) falling in love with a mortal prince, and having to face the consequences of that love. Here you can find a synopsis of the opera. We saw the opera performed, open-air, in the beautiful park of Divoka Šarka, in Prague 6—in the north-western part of the city. The park boasts beautiful, unspoiled nature--forests, streams, natural lakes, hiking trails, a public pool system…and an amphitheater, in a forest—not far from the city center! Divoka Šarka is a beautiful place to spend an afternoon—and it proved to be a great place to see Rusalka, too!


I’m not sure how many people were there on Saturday, but it was easily two to three thousand. The floor of the bowl of the amphitheater was the stage for the production of Rusalka. I was very impressed with the sound system they set up for the orchestra and the singers. It was possible to clearly hear the singers, along with the orchestra—with no problem. There was really no space for a backdrop, but the natural surroundings of the park made a perfect backdrop for the opera. The day was a bit hot, but there was enough shade from all the trees around the amphitheater. This was my very first opera—ever—and I loved every minute of it, even though I couldn’t understand all the Czech. It was a beautiful production. You can see some of the pictures (above) from the performance of Rusalka.


Monday evening, a friend of mine offered some symphony tickets to Jiří and I! That was a very unexpected and great surprise! So, we went to the Rudolfinum to hear the Czech Philharmonic. They played wonderfully—it made our evening very special, when we had just planned on spending a normal evening at home!


Prague is full of performances like this most days—you can find opera, chamber music, symphonies, etc being performed in many of the historical palaces and theaters around Prague. This is one of the things I just love about Prague! Its possible to afford and attend these types of performances. In the past, the places I lived, it was so expensive to visit the theater, or hear an orchestra or watch a ballet. Now, though, since moving to Prague, I’ve had many more opportunities to experience more of the arts than ever before in my life. So, I’m taking full advantage of these opportunities when they come along!


That’s all for today…you all have a great day!


God bless,

Sherry :0)

http://czechoffthebeatenpath.googlepages.com

© 2008 by czechoffthebeatenpath

All photos and video are property of S. A. Vacik